Already plenty dashing in real life, bad-boy Hunt proves even more irresistible in the hands of “Thor” star Chris Hemsworth, who makes Hunt’s driving look like the least reckless thing about him. An Austrian with an innate gift for racing but no sense when it comes to social interaction, Lauda (as played by “Good Bye Lenin’s” Daniel Bruhl) is the pragmatist to Hunt’s British playboy. ![]() The hook couldn’t be simpler: “Rush” pits two personalities from opposite ends of the spectrum against one another in a sport where the stakes are no less than life and death. But if Universal gives word of mouth a chance to build (screening the film at the Deauville and Toronto film festivals is a good start), they should have a huge worldwide phenomenon on their hands. It’s high- octane entertainment that demands to be seen on the bigscreen, assembled for grown-ups and executed in such a way as to enthrall even those who’ve never watched a race in their life.Īudience skepticism could give “Rush” a slow start in theaters, as folks question why they should care about such a subject - or wonder what Howard, who has spent the past decade churning out respectable middle-brow entertainments, can bring to the material. Add to that list of epic clashes Formula One adversaries James Hunt and Niki Lauda, whose larger-than-life bout for the 1976 world championship title fuels Ron Howard’s exhilarating “ Rush” - not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.
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